![]() ![]() In terms of gender split, this remains largely even between male and female visitors across all age ranges. This has been subject to only minor fluctuations of one to three percent in recent years. The dominant age group amongst cinema patrons were those aged 50 and over. The average number of visits to the cinema peaked in 2017, reaching 8.6 visits over an average three months. The choice of a business structure will be influenced by the complexity of the production and the. In 2022, there were 702 cinema screens that were owned by independent parties in Australia, which translates to a market share of around 30 percent. Filmmaking can be undertaken by one person, or a small group, or with an extensive cast and production and post-production crew managed by a number of ‘producers’ with different job descriptions and titles. This attendance figure can perhaps, in part, be attributed to the average price of a cinema ticket in the same year, which grew by a small amount to just over 16 Australian dollars.Īustralian cinema screens are mostly independently ownedĪnother factor that can be considered to have played a part in keeping attendance up and ticket prices down is the continued dominance of independently owned cinema screens across the country. By comparison, the next two all-time highest grossing films Star Wars: The Force Awakens and Avengers: Endgame grossed around 94 million and 84 million Australian dollars respectively.Īttendance at Australian cinemas remains solidĪustralian cinemas themselves suffered a reduction in attendance attendance figures to 51 percent in 2022, an increase from the preceding year. ![]() Given those numbers, and Australia's success in the late 1970s and early '80s as the home of so-called Ozploitation cinema, Mr Brown thinks we're well overdue for a new wave.At the box office in Australia, Avatar remained the highest grossing film of all time, generating around 115 million Australian dollars in box office revenue, echoing its worldwide performance. Titles produced under the Blumhouse banner include the Oscar-winning Whiplash, Get Out and BlacKkKlansman, as well as this year's Australian-made hit The Invisible Man (made with Sydney's Goalpost Pictures).Īccording to, the 95 Blumhouse films released since 2006 have cost an average of $US6.35 million and returned an average of $US61 million – an 860 per cent profit. Super-producer Jason Blum has overseen a massive slate of titles largely made under a $US4 million ($5.7 million) cap, a figure he has claimed allows him to recoup costs even if a film does not succeed at the box office. ![]() The as-yet unnamed production house (Brown favours Monsters in Paradise, a merging of Hardie's company name and his own Pictures in Paradise shingle) also takes inspiration from a more contemporary model: the US indie Blumhouse Pictures. It's not about screwing the creative, it's about giving them freedom to do their best work." An award winning company, Ambience Entertainment is dedicated to. We bring large scale international projects to Australia for production in conjunction with our partners overseas. Founded in 1989, Ambience Entertainment is one of Australia’s most experienced and trusted independent film and television production companies, specialising in feature films, television dramas, comedies and game shows, factual entertainment and children’s live action. They have worked with big companies such as BMW, IBM, Yamaha, BBC, etc. Dream Engine has a full in-house crew that delivers the most creative videos for your businesses. ![]() They have over 18 years of experience in video production. We pride ourselves on working with major production companies in Australia and abroad. Dream Engine is a corporate video production company in Melbourne. "Genre is so good at exploring the politics or mores of the time through horror or science-fiction or whatever. Australian Production House is a global Film and television company with teams around the world, headed by our Melbourne Australia office. "There's so much you can do with those stories as metaphor," he adds. In 2021 the Australian government announced a 433 million package of location incentives, a 16.5 rebate that supports the production of large-budget film and television projects shot in Australia. ![]()
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